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THE SMITHS

Between the roads to Kompong Cham and Kompong Chnang, not far from Oudong in Kandal Province, the quiet of rural life gives way to the tapping of metal on metal in a little village on the banks of the Tonle Sap. 


Between the roads to Kompong Cham and Kompong Chnang, not far from Oudong in Kandal Province, the quiet of rural life gives way to the tapping of metal on metal in a little village on the banks of the Tonle Sap. 


This Koh Chin Commune, Ponea Liu District, Prek Khdam, a village of coppersmiths. 

By boat, bicycle and moto, kilos of scrap copper are brought to this little village every week. On the other side of the river, villages famous for silver flourish. 

But thirty years ago, when the price of silver went up and the demand for silver products went down, the metalsmiths of Koh Chin adapted their methods to this more ancient craft.


Although there are a few other Cambodian villages which make arnaments from copper, this tiny place is  the most famous. 

"I learnt to work with silver. When I was eight, I was doing simple designs for fun. Small animals - that sort of thing." 

"By the time I was 12, I was part of the business. My whole family do this. We do not farm or fish." 

Keb Lieb's story is the same as most from Koh Chin. 

"During the Sihanouk years of the sixties there was a lot of silver, A lot of people could afford it. My mother would give me a kilo of silver to make beautiful."


"But during after that, less people could afford it. And after Pol Pot time, hen we came back to start our business again, very few could, but people who wanted nice things for their house could buy copper. Even if we could afford to buy silver, no one could buy it from us, but copper sold well. WE changed our business."


Despite the family's relative prosperity during her childhood, Keb Lieb's education was mainly learning how to work metal and carve the intricate patterns of the pieces the family's men smelted and moulded. 

"I went away to school but I soon came back. I only needed to learn to write basic Khmer for orders and math's to weigh metal and work out prices. 

"My grandfather said, "a girl with an education has enough knowledge to write letters to boyfriends'. I followed my mother and her mother and learned only what I needed for the business." 


Copper was the first metal men learned to work with, probably more than 10,000 year ago. It was almost certainly being used in Cambodia during the Fuanan ear, as early as 400BC.

Nowadays almost all of the copper the Khmer smiths use is not dug from the ground but painstakingly stripped from old wire, duped electrical equipment and other industrial debris. 


From mainly Phnom Penh, were "ai-jai" or recycling collectors sift through every item of rubbish and pay householders for discarded treasure such as wire, scrap copper is collected and begins its journey by any means possible to Koh Chin, about 70 kolometres north of the capital.

Once there, the village, which works like a co-operative, divides the scrap up and begins to melt it down.


Every family knows where they are up the with supply. Some take copper on credit, and will pay the smelting family when they sell the finished pieces, Some are owed copper from the last batch of sales to markets in Phnom Penh, Siem Reap or Thailand. 

For every four kilos, about one will be lost in the recycling process as it is put through fire and rolled into massive copper plates. 

Each family will take plates, then draw the outlines of whatever they will turn it into onto them. 

They will cut out shapes, hammering the cut copper onto wooden moulds, firing it, soldering and cleaning the joints.


The men craft the shape, the women chisel and carve the fine patterns before it is fired a final time and cleaned using lemon juice or the fruit of the ampoiul tree. 

 

Keb Lieb remembers when coppersmiths were rich. 

"We used to make $US600 a month - $100 more than teachers. Now, maybe 100,00 riel per month, but I don't mind so much," she says. 

"Of course I would like more money, but for a job, it is more like a pastime. I love doing it."

Like the nearby, more famous silver villages, Koh chin developed away from farming when Oudong was the Cambodia capital for about two centuries until 1866.

The people say the king and his entourage would come to the Tonle Sap to bathe, and villagers always wanted to give the king beautiful gifts. They began to craft silver to offer him and began a tradition. 


When the capital moved to Phnom Penh, the smiths were still close enough to supply their market via the same river or by road. 

Late, the people of Koh Chin saw a gap in the market and turned to a cheaper metal to survive. 

But copper takes no less skill or dedication 

Villagers like Keb Kunthea, 29, know it is their destiny. 

"I never went to school. From when I was very small, I learned copper. When I was 15, I also started to learn to use brass, which is harder and more expensive. I prefer copper," she says. 


"My village has the glory name for what we do. Sometimes I have heard that the markets in Phnom Penh use our name when they try to sell copper made by machine in Thailand. They say, 'this is from Koh Chin. It is the best', and charge more, but we do everything by had. Every line. These others are made in the hundreds - not as good as our work." 

Each Koh Chin piece takes between one and three days to make. A lathe piece form Thailand takes minutes, hundreds of identical pieces can be churned out in a day for very little money, but they lack the character and craftsmanship of an individual creation.  


NAME says the Phnom Penh people come and try to buy their work but do not want to pay much money. it makes her angry, and lack of money is breaking the village up.


"Some of our children have gone to Siem Reap to work. The money is better there," she says.  One of Cambodia's most famous coppersmiths, Srei Non, is from Koh Chin and has gone to Siem Reap to make her fortune at the age of 52.

At the same time, copper has separated the people of Koh Chin from other Khmers. 

"I have more than 10 grandchildren and sever children. All do copper," she says. "My husband died of sickness in 1984. He, too, made copper. It is all we know." 


"See my hands." She holds them out. "These are copper hands. Rough, not soft and smooth. I have pain in my fingers. this is our destiny because of what we do."

People from other villages and provinces do not want to marry us because they think we are strange. We do not know about farmingor fishing. We only know this. We stick together. We teach each other and mostly marry other families from our village and neighbouring villages.

"But we don't care. We are happy. We have chosen."

Words: Moeun Nhean. Pictures: Nathan Dexter.


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